Cinema Coma, Music and Culture

Suddenly the baby stops crying. She looks back to the car seat firmly attached to the backseat of the Suzuki. Screaming out with tears gushing from her eyes, she pleads in painful bewilderment wondering who took her baby. But something more mysterious is occurring here. In the midst of her shrieks, a confused boy calls out for his dad from the sidewalk and then suddenly and violently a car without a driver collides into another. What’s going on here? Where did these people go? Why am I left behind? This is the story of the 98%, those unlucky souls in a now graceless world, questioning how will they rebuild and recover. They are the leftovers.

2014 seems to be the return of that classic of Hollywood film genre, the Biblical epic. From Mark Burnett’s Son of God to Darren Aronofsky’s Noah and later this year, Ridley Scott’s Exodus: Gods and Kings. In a wider purview, films centered on faith pulled in large box office numbers this year such as God’s Not Dead starring Kevin Sorbo ($60M gross is not to shabby for Hercules) and Heaven is for Real ($89M gross). The small screen is seeing similar explorations of biblical themes with Resurrection and now the upcoming HBO series The Leftovers premiering June 29th.

The Leftovers is based on a book by Tom Perrotta and produced by Lost writer Damon Lindelof. After delving into Evangelical sub-culture with his book The Abstinence TeacherPerrotta became fascinated with the Evangelical belief in an event called the rapture. According to those who subscribe to this belief, Christians will be taken away to heaven in an instant, vanishing like a vapor. Those who are left on the earth suffer through the Great Tribulation, a period of time where God pours out his wrath on those who were not chosen to be raptured into heaven.


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